Lost & Miracles
I wrote Lost & Miracles as a commission by Rayann Rowland for her degree recital. This is a two-movement work (slow-fast). The first movement plays around with the mode (between major and minor) underneath the melody and changing the melody at times. The melody is rarely fractured and is stated almost completely whole throughout the entire movement. Then, the second movement incorporates an odd meter, but still joyful rhythmically, melodically, and harmonically. When listening to this movement, watch out for new melodies, yes, but the listener may be able to hear some reoccurring melodies from the previous movement.
I wrote Lost & Miracles as a commission by Rayann Rowland for her degree recital. This is a two-movement work (slow-fast). The first movement plays around with the mode (between major and minor) underneath the melody and changing the melody at times. The melody is rarely fractured and is stated almost completely whole throughout the entire movement. Then, the second movement incorporates an odd meter, but still joyful rhythmically, melodically, and harmonically. When listening to this movement, watch out for new melodies, yes, but the listener may be able to hear some reoccurring melodies from the previous movement.
I wrote Lost & Miracles as a commission by Rayann Rowland for her degree recital. This is a two-movement work (slow-fast). The first movement plays around with the mode (between major and minor) underneath the melody and changing the melody at times. The melody is rarely fractured and is stated almost completely whole throughout the entire movement. Then, the second movement incorporates an odd meter, but still joyful rhythmically, melodically, and harmonically. When listening to this movement, watch out for new melodies, yes, but the listener may be able to hear some reoccurring melodies from the previous movement.